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Going After Grants: An experienced grant winner shares his secrets. By Tim Comolli

In these busy times, you almost need to be certifiably nuts to take on the task of grant writing while carrying on your typical daily schedule. Only one thing makes it worthwhile, and that's a genuine need to see kids succeed. Indeed, plunging into the grant-writing process means tossing out the political nonsense surrounding schools, ignoring the vested interests of colleagues, and weathering the jeers of those who think you can't succeed. But if, like me, you believe that the possibilities outweigh the problems, then grant writing might just be for you.

Simply put, grant writing entails trying to get somebody to give you money. Of course, that means you'll have to compete with everything from homelessness to the heartbreak of psoriasis. Everybody needs funding. Making your needs surface among the pack of suppliants is key to your success. The real trick, then, is to use every possible element in the art of persuasion.

Aristotle said a good idea should have credibility (ethos), reasoning (logos), and passion (pathos). The most important of these, it seems to me, is passion. Nothing signals success as much as someone who believes totally in an idea and believes it will help humankind. I don't suspect that Aristotle had to raise money for his teaching sessions, but I do know that a great idea for helping kids -- coupled with a passionate person who's willing to give time and effort -- is a powerful combination.

As director of the Imaging Lab at South Burlington High School in Vermont, I've depended on grants -- including a coveted "Road Ahead" grant from Microsoft -- to keep our program going. I'd like to share a few hard-won lessons on the art of raising money.

Be succinct

My first step is usually to make a small sign for my computer monitor that says: "It's for the kids, stupid." This brief message tends to keep me focused as I attempt to do battle with the forces of finance. Sidebar: Big Money

The next step is to state the objective of your project in one or two sentences. If you can't do that, you probably haven't put enough serious thought into what you want to accomplish. Here's an example: "The Millennium Project will increase the number of female students taking technology courses." A sentence like this clearly states your objective so that everyone understands your proposal. You'll need a lot more than a vaguely defined feeling that your idea will eventually help kids if you expect to get a grant.

With the concept clearly defined and with a battery of information to back you up, you're ready to take on the next task: getting the support of the professionals around you. At my school, I like to set up a project team of teachers and administrators to advise me on writing the grant proposal and help shape the project as it evolves.

Be realistic

So now that you have the idea, the drive to succeed, and the backing of your colleagues, how does the battle begin? Think of yourself as a medieval monk begging for sustenance. That might be a stretch, but be ready to swallow some of your pride to get the initiative under way. Be ready to hear the word "no."

To build confidence, I suggest going after what's possible -- not the impossible dream. And that goes for the work you do to get the grant, as well as what you ask for. No one in his or her right mind should consider doing a day's work in the classroom and then putting together a federal grant at night. Yes, I know a million dollars would really help your school, but let that fantasy enter your mind only after a few hours of REM sleep.

What is realistic? For starters, go after local grantors -- especially those with ties to your community. Seek out those companies that traditionally give money for community initiatives. Pepsi and Coke dealers, high-tech companies, and local PTA groups are all good places to start. If you're stuck, try the business section of the phone directory. Also consider state grants, where you'll have less competition than for national grants.

Some small national grants really are obtainable, though. Sources like the National Education Association's Foundation for the Improvement of Education, for example, can give you the seed money to succeed. Believe in the fact that nothing succeeds like a little success. Receiving one of these grants will give you a good deal of self-satisfaction and an innate desire to carry on. (In fact, watch out: You might end up with one more compulsion in your life.)

Some suggestions before you approach the local people: There isn't much altruism in the business community, so it's always best to put yourself in a company's place and ask, "What's in it for me?" That is, what will business people get out of their partnership with you and your kids? If you can provide them with a reason to support you, then your foot is already in the door. Perhaps they're interested in the PR value, getting a picture of their community involvement for their annual report, or even getting some signage in your classroom. I would stop short, however, of letting them put their company's logo on your kids' underwear. (And believe me, some will want to!)

I always make it a point to leave business people with something tangible. Our computer lab specializes in animation, so I always have the students create an animated videotape of the company's logo and leave it on my way out after a meeting. And I often take kids with me to make presentations. As they say in Hollywood, nothing sells a story like a kid or a dog. There have been times, indeed, when I have given serious consideration to visiting the local animal shelter, but so far, I've resisted.

I often mail company sponsors some information about our project before I talk to them, and if I'm successful in getting a business to help us, I mail the executives frequent updates on our success. I am currently managing a grant for $175,000 that requires only a final report to the giver, but I've made it a point to send the chief officers monthly updates.

Be complete

Experienced grant writers have developed formats for the process and the proposal, and you might want to follow suit to be certain that you cover all of the essential elements. Whatever format you follow, any grant proposal can be helped if you can make sections compelling and slant them in the direction of the grantor's wants or needs.

These are the basic sections that appear in most proposals:

• Abstract or introduction -- that two-sentence objective can be the starting point.

• Needs assessment -- why the project is important.

• Plan of action -- who will do what, when.

• Review of the current literature -- to show you're familiar with the field (and not reinventing old wheels).

• Evaluation methods -- how you'll measure the project's success.

• A budget -- what it will all cost.

• A section on sustainability -- how you'll keep the project going.

A word on the budget: Like your project objective, your budget should be specific, outlining, for example, the precise equipment -- including model numbers -- that you plan to buy. It should also mention the support your district is willing to provide, such as teacher hours and specific building modifications. Keep in mind that if your proposal is accepted, you can expect to wait at least a year from the time you applied until the dollars start coming in.

Keep in mind, too, that it is difficult to get a grantor to fund staff positions, so don't ask for them unless they are truly essential. Many small grantors believe that staffing is the least a school can contribute.

Grantors, especially foundations, are especially interested in how their money can make a difference in the lives of kids. It's important that you use a valid evaluation tool so you can lay claim, scientifically, to having accomplished your goal. My suggestion: Keep complete records of your kids and how each part of the project has created changes. Plot and graph benchmarks they hit and maintain.

Equally important to grant sponsors is the replication factor. If you become successful, then it only makes sense that others should want to follow your lead. Addressing this concern in the original proposal tells grantors that you have thought this through and that your success will multiply -- thus maximizing their dollar value.

Remember the kids

Most textbooks on grant writing advise being plain and direct in your use of language, but my experience has been just the opposite. Your introduction (or abstract) should entertain while illuminating your needs.

To get the attention of the people who read the proposals, you need to make yours stand out in the crowd. I remember visiting a fishing derby when I was a kid. There were lines of would-be anglers on each side of a Vermont stream. All of them were casting the same wiggling worms at the underwater opponents. No one seemed to get a hit. No one, that is, until a kid who had attached an ugly orange piece of rubber to his hook unleashed this unlikely missile into the water. Instantly, he pulled in an award-winning catch.

What I learned that day was that in a sea of mediocrity, it's best to be as different as possible. In a recent grant I began:

If you've seen the antics of animated M&M's selling chocolate on TV, the gyrating Fox television logo, or the witty 3D characters in Toy Story, then you know what we do in the Imaging Lab at South Burlington High School. The Imaging Lab, a computer graphics and video production facility, began with one computer in a paper closet and has grown into a curriculum and facility that have been extolled nationally in magazines, books, and on television. The Lab has raised over a half-million dollars from gifts, grants, and the sale of student products. Kids now have access to 24 high-end Intergraph and SGI workstations and the software that is currently being used by Hollywood to create films like Star Wars: The Phantom Menace.

I followed this introduction with the other sections listed above, and I got the grant. Describing your program in terms that resonate with the reader's experience keeps that person in tune with what's going on in your classroom. To personalize the request, you should always include real-life stories. Every teacher has tales from the classroom that can make a proposal come alive. It is the stories that make your needs real for a reader. I've used the following one to strengthen many grants:

JR was one of the most disagreeable characters to have ever walked the halls of South Burlington High. His father -- who had also attended the high school -- was a mean-spirited man with a serious drug problem. One night when JR was a very small boy, his father came home "high" on a variety of drugs and alcohol. JR was sleeping with his mother when the father proceeded to "shoot her up" with a lethal dose of heroin. JR watched her die. The father was sent to prison and the youngster became, as one might imagine, a serious problem child. He reacted to the death by becoming unmanageable. By the time he reached high school, most counselors and teachers had given up on JR. Most people were certain that he would never be able to survive in a "normal" world and would, indeed," ... end up like his father."

One day as he passed the Imaging Lab, JR was attracted by the animations playing on the screens. He quietly walked into the room and found himself in the company of students who were headed for major careers in animation and computer science. He sat down. He became enthralled with the computer. He connected emotionally with the kids, and they helped him learn the basics.

This one moment of interest and success translated into a passion for the Imaging Lab and his work. JR's grades improved; his work became acceptable and then praiseworthy. Teachers were amazed at the transformation. His caseworker still lists JR as the greatest success story of the decade. JR went on to help teach computer courses for students and teachers. He was asked to present his material by the State of New Jersey Education Department for its Education Summit.

JR went on to graduate from Full Sail University in Florida, a feat even the most optimistic caseworker would never have dreamed was possible. He's now back in Vermont, donating his time to help other students in our lab. It's wonderful to see his commitment to a program that gave him direction and purpose.

The story lets grantors know the human side of the equation. Suddenly the money becomes earmarked for people, not computers.

 

Tim Comolli is an English teacher and director of the Imaging Lab at South Burlington High School in South Burlington, Vt.


For More Information

Two books by Christine Graham are especially helpful for beginners:

Asking: A Hands-on Learner's Guide to Gift Solicitation. Shaftsbury, Vt.: CPG enterprises, 1998.

Keep the Money Coming. Sarasota, Fla.: Pineapple Press, 1992.

Copyright © 2001, National School Boards Association. Electronic School is an editorially independent publication of the National School Boards Association. Opinions expressed by this magazine or any of its authors do not necessarily reflect positions of the National School Boards Association. Within the parameters of fair use, this article may be printed out and photocopied for individual or educational use, provided this copyright notice appears on each copy. This article may not be otherwise linked, transmitted, or reproduced in print or electronic form without the consent of the Publisher. For more information, call (703) 838-6739.

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